This post today is a bit different. I have done art journalling of a Russian fairy-tale, but because you won't be able to read my handwriting I have typed out the story below for you to enjoy. So grab yourself a cup of tea or coffee and enjoy this fairy-tale.
The Golden CockerelA Russian folk story that was made into Rimsky-Korsakov’s Opera: Le Coq D’or
Many hundreds of years ago King Dodon held his Court in old Muscovy. His city was built with the most extravagant fantasy; his palace was sumptuous: his peace-loving people were loyal and he had two sons.
But there was one disturbing factor – the war like neighbours. The worry and expense of organising defence oppressed and bored his majesty, and the advice of his experienced general conflicted with that proffered by his sons, the Princes Guidon and Afron.
Prince Guidon one day suggested consulting the stars; and immediately an astrologer appeared. This personage declared that he could provide King Dodon with a Golden Cockerel, which would send out messages of warning should danger threaten. King Dodon found this solution to his problems difficult to accept at first, but when the Golden Cockerel was produced, and after being presented, declared in a clear voice that his majesty could reign in peace, he was delighted. He accepted the offer of the magical bird, and asked the astrologer to name his reward.
On hearing this question the astrologer began to talk of legal indebtedness and documents – subjects which bored the king to such a degree that he summarily dismissed the astrologer before getting anything settled.
The Golden Cockerel having been installed, King Dodon sank into his luxurious bed and relapsed into slumber, only broken by a dream of a beautiful woman. But soon the Golden Cockerel sounded the alert, and the king’s sons set out at the head of the troops. Their armies fared badly; and in a short while the Golden Cockerel again cried its warming, and the old king was obliged to shake off his lethargy and put on his armour – which had been so long neglected that it was rusty and too small for his ample figure – and sally forth at the head of the remaining troops, followed by the prayers of his loving people, who begged him to avoid running into danger.
When King Dodon reached the scene of action he found tragic proof of the enemy’s success. Corpses were strewn in every direction, and in the centre of the grisly field lay the bodies of his two sons, the Prince Guidon and Afron, each transfixed by a sword, having slain each other by a misapprehension.
At this sight the old king was overcome with grief and burst into tears; but when he had mastered his sorrows sufficiently to look up, his eyes met an astonishing sight. From the stricken field a pavilion, draped in lovely silks, had risen magically; and while the soldiers were apprehensively preparing to defend themselves against attack, a lovely sorceress, the Queen of Shemakhan, stepped forth and invited Dodon and his general to feast with her. The general demurred, and Dodon dismissed him.
The queen then begun to make love to the old king, and he forgot his double bereavement and the nearness of the enemy. In obedience to the cajolings of the sorceress, Dodon even tried to sing and to dance, and, indifferent to the absurd figure he presented, continued to caper and prance until he fell to the ground exhausted yet foolishly triumphant, for the Queen of Shemakhan had promised to become his bride.
A royal procession was then formed to bring the king and his betrothed back to his capital. Dodon and the sorceress rode in a great golden chariot, and their cortège included soldiers, slaves, grotesque giants, dwarfs and one-eyed and dog-headed attendants. A rapturous welcome awaited them on the return to the capital, though the bride’s air of boredom was noticeable to everyone except the besotted king. As soon as they arrived, the sky became overcast, and a clap of thunder heralded the appearance of the astrologer, come to claim his reward for the Golden Cockerel – no less than a demand for the queen of Shemakhan.
At first Dodon imagined this to be a jest, but when he realised that it was a serious claim, he was so overcome with wrath that he struck out with his sceptre at the astrologer – then, feared for the possible results of this rash, impetuous deed, he turned to his bride for consideration, only to be met with peals of laugher, and, which he cowered beneath her scorn, the Golden Cockerel flew towards Dodon and struck him dead with its beak. Thunder sounded once more, night veiled the city; and when the darkness lifted, the Golden Cockerel, the queen and the astrologer had vanished and the sorrowing people were left with the body of their dead king.
More images:
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| Poster from Bolshoi Russian Ballet and Opera |
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| Kitzeh Golden Cockerel |